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Since that time he has released a significant body of solo work, for labels Agents of Chaos, Ekhein, Goldtimers, Cassauna, and now DRAFT. Greg Davis' spate of recent works for modular synth have been a DRAFT favorite over the past year, beginning with a completely mind-blowing performance we witnessed in Seattle last August during his Summer 2010 West Coast tour (modular synth and processed voice!). Mastered by LUPO/Cut by Rashad Becker at Dubplates & Mastering Spei Res is a colossal record, containing a life music that is self-aware, revelatory and knows what it’s up against. The album feels both ancient and new, building a language out of pummeling rhythms, dynamic keyboard passages, and sculpted atmospheres, enhanced by Diller’s articulate production work. Connected to the likes of Sun Ra, Varèse, and J Dilla, $.99 Dreams craft a highly personalized music. Spei Res finds them further down this path, exploiting the recording studio to build and modify improvisations into a sonically dense and kinetic record. Seemingly oblivious to musical trends, Adam Diller (synth, sax, production) and Matt Crane (drums) have crafted a distinctive sound that unifies electronic music, jazz improvisation, and hip hop production techniques. Spei Res, roughly translated from Latin as “thing of hope”, plays like a suite of soundtrack miniatures driven by virtuosic drumming and synthesizer textures. JEA: supercollider, motu828, 5U/MU analog modular synthesizer, cp-251ĭRAFT is pleased to announce its second LP release from underground jazz-synth duo $.99 Dreams.
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The music consists entirely of modulated oscillators navigating the stereo field, punctuated by irregular fragments of text that vary in intelligibility.
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The work's progression relies entirely on the interaction between semi-random patterns and Anderson's manual shaping of sounds and cueing of patterns. Truth was created using a computer running supercollider to send control voltages to a modular synthesizer from an audio interface, while Ian Halloran read from ‘Chapter 24: Truth’ of Metaphors We Live By into a microphone routed to a preamp and ring modulator within the synth. Truth is Anderson's most recent solo recording involving voice and synthesis, a common thread found within his work over the last 5 years. His prior recorded work under his given name has appeared on his own defunct label Make Jet Silent, Börft and Discriminate Music. The release of Truth marks Anderson's first solo appearance for DRAFT. Performed and recorded live on Februat Jack Straw Studios in Seattle with Ian Halloran reading text from Metaphors We Live By (Lakoff/Johnson, 1980), Truth was initially conceived for Sonarchy Radio/KEXP. DRAFT is pleased to announce its first release in three years by offering Jason E Anderson's Truth, a 60 minute live performance released on tape.